Maryan Besaga

In this work, the theme of primal movement extends beyond the boundaries of an individual form and expands to the scale of the macrocosm. While in other works from the series the process of creation may resemble the emergence of an organic structure, here space unfolds as a boundless field in which different systems simultaneously emerge, move, and interact.

The composition is traversed by large circles, ellipses, arcs, and lines resembling orbits, trajectories, and energy fields. They intersect, overlap, and extend partially beyond the edges of the canvas, creating the impression that the viewer is witnessing only a fragment of a much larger space. We cannot see the system in its entirety — we can only imagine its continuation beyond the visible.

Of particular importance here is the relationship between the spherical and the boundless. A circle may simultaneously be perceived as a celestial body, an orbit, a gravitational field, or an unknown structure. Yet none of these associations becomes definitive. The forms remain open to the imagination, existing on the threshold between an abstract sign and an image of cosmic order.

The painterly environment, by contrast, remains elemental and spontaneous. Red, blue, yellow, green, and violet planes overlap and break through one another, generating intense chromatic tension. Against this background, the geometric structures seem to attempt to bring order to the infinite movement of matter.

Here, it becomes difficult to identify a single centre of the composition. Each sphere may become the centre of its own system, each orbit part of another trajectory. An image of the universe emerges not as a completed structure, but as a continuous process of becoming.