Maryan Besaga

In Origo / The Beginning  – Episode 02, the space of the series unfolds as a field of interaction between invisible forces. Here, it becomes difficult to speak of distinct material forms or a clearly defined centre: the composition is permeated by streams of colour, trajectories, spherical structures, and signs emerging from within the elemental world of painting.

Yellow, orange, and red masses create a sense of exceptionally intense energetic tension. Blue lines, circles, and orbits pass through them, forming a complex system of interactions. Certain spheres seem to sustain their own surrounding fields, while other forms move freely, governed by invisible forces of gravity, repulsion, or attraction.

Amid this movement, small outlined formations appear, resembling signs of an unknown language or silhouettes of immaterial entities. They resist any definitive interpretation. They may be perceived as concentrations of energy, primal forms of life, symbols, or presences that become visible only for a fleeting moment.

This gives rise to a subtle connection with ancient conceptions of the world, in which cosmic order was determined not only by matter, but also by invisible forces and spiritual hierarchies. Some of the spherical and circular structures may evoke distant associations with representations of celestial powers found in religious tradition. Yet they do not illustrate any specific entities — they are rather the memory of an archetype emerging from within abstract form.