Maryan Besaga

In Cosmology 3, the sphere acquires a particular sense of unity and stillness. Its surface is almost entirely governed by a single rhythmic principle — countless recurring arc-like traces that form a continuous field of vibrations.

At first glance, the structure appears homogeneous. Yet with prolonged observation, it begins to reveal numerous local movements. The rhythms shift direction, become denser and then disperse, overlapping one another. The entire surface seems to exist in a state of slow, continuous inner vibration.

Colour develops vertically — from deep violet and blue tones at the bottom, through turquoise transitions, to pale blue in the upper part. Yet this is not so much a landscape as a transition between different states of a single energy field. Colour seems to register different frequencies or intensities of the same invisible substance.

The circle removes any fixed sense of scale. What we see could be a planet, a drop, a cell, an energy field, or a fragment of infinite space. Microcosm and macrocosm appear to be governed by related principles.