Maryan Besaga

In Cosmology 2X, a dense field of small pastel strokes transforms into a pulsating environment in which the individual gesture almost dissolves into the overall movement. Flecks of blue, green, yellow, and red create a complex vibration across the surface — a kind of field of energy without clearly defined boundaries.

Against this background, a vivid yellow geometric structure emerges. Enclosed within a rectangle, a system of lines connects numerous points, forming a complex network of intersections and directions. It may resemble a map of unknown connections, a diagram of movement, or an attempt to register the hidden structure of space.

What becomes important is the contrast between two modes of organization: the continuous organic field, formed by thousands of tactile gestures, and the precise linear system that attempts to establish a certain order within it.

Yet the geometry never fully explains the environment. The more complex the network becomes, the more it turns into an enigma of its own. The attempt to impose order on the unknown generates a new level of the unknown.

In the lower part of the work, the rhythm shifts: the fine pulsation develops into more pronounced wave-like structures. They create a sense of an impulse propagating through space — as though an invisible process becomes perceptible only through the vibrations it leaves behind.